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The Women of Algeria
Les Femmes d’Alger

Pablo Picasso


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“Four women. Or perhaps three women, and a painting of another woman, pulse in a graphic field of interior space bracketed by black light on one side, curtains on another, tile floor and patterned carpet below, and coffered ceiling above. […]On the left is a giant, Cyprian-like seated woman. Her voluptuous breasts are corseted by some sort of laced red bodice that makes her a cross between a fertility figure, goddess, Medusa, caryatid, harem figure, and proprietor of this realm and the next. Her veil, headdress, or hair is a labyrinth of yellow, blue, red, and white intertwining coils.”

sold this year 2015 for US$179.4 million at auction......

It's truly beautiful​


This is truly lovely so complex and sensual.
 
' Cupid and Psyche '
Jacques-Louis David
(1817)

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The choice of narrative moment—a libertine adolescent Cupid departs Psyche's bed with "malign joy"—was a new twist on the well-worn subject
 
' Creation of Eve '
MICHELANGELO Buonarroti

(b. 1475, Caprese, d. 1564, Roma)

1510




In response to the gesture and intense gaze of the Creator, Eve appears to rise from the rocks behind Adam rather than from his body, extending her joint hands. The bodies of the couple appear to be those of adolescents, in contrast to those depicted in the scene of the Fall and Expulsion. The figure of the Lord, wrapped in a voluminous violet mantle that only allows a glimpse of the red tunic he wears in the other scenes of the Creation, draws on an iconographic tradition dating back to Giotto and Masaccio, from which it is differentiated, however, by the blond hair and beard framing the face.

The Creation of Woman is a design cast in simple, powerful form that contains a certain demonic element. The God and Demiurge, as conceived in the earlier medieval tradition, fills the space between heaven and earth as if about to erupt out of it, lifting his arms with an incantatory gesture and a supernatural air. More is indicated here than mere physical creation: it is the conception of the female mirror-image drawn forth from the sleeping Adam, who is fettered to a stunted tree shaped like the Staurus, the Egyptian cross. Is he the archetypal son destined to become the Mediator and endure the Passion? The composition forms a right-angled triangle with Adam as the horizontal and God the Father the vertical element, and Eve, in an attitude of adoration, striving towards the hand of God as a diagonal hypotenuse. Theirs is a harmonious Pythagorean unity of spirits prior to their separation. This astounding fresco dominating the centre of the entire vault links Ezekiel and the Sibyl of Cumae, thus underlining the importance of the grand design of the law of polarity!

Without question the greatest artist known to Humanity and Mankind​
I quote:

If I had two options, one to have overwhelming millions of dollars and all I desire, or two to be part of Michelangelo's life and work as he did to understand his thoughts, I would choose the latter without hesitation or breath...

There is no finer example of perfection
' I Love You '

A WONDERFUL post ...thank you Andrew
 
' David with the Head of Goliath '
Andrea Vaccaro (Italian, Naples 1600 - 1670)
circa 1635


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Italian painter. He belonged to a large and important family of Neapolitan painters and was one of many artists influenced by the dramatic light effects of the Caravaggisti, followers of Caravaggio. He first studied literature but at an early age turned to painting. He was probably a pupil of the late-Mannerist painter Gerolamo Imparato, though there are no known works from this period. About 1620 he became a follower of Caravaggio; he copied Caravaggio's Flagellation (Naples, Capodimonte), and his copy and the original hung in S Domenico Maggiore, Naples (copy in situ). David with the Head of Goliath (Florence, Fondazione Longhi) and Sebastian (Naples, Capodimonte) are early works indebted to Caravaggio's naturalism and chiaroscuro. After 1630 Vaccaro drew inspiration from Guido Reni, Anthony van Dyck and Pietro Novelli and made copies of their works for Neapolitan collectors and dealers such as Gaspar Roomer and Jan Vandeneyden. Abraham and the Angels (private collection) dates from this period; Reni's images of saints are the forerunners of his St Rosalia (mid-1630s; Madrid, Prado) and Penitent Magdalene (1636; Naples, Certosa di S Martino, chapel of St Martin).

 
I like these who is the artist?

Known for his figures with distorted forms and provocative nudes, Austrian painter Egon Schiele became one of the leading artists in Vienna during the early 20th century, greatly influenced by Secessionism and Austrian painter Gustav Klimt’s creations. He even lived for a short time in the southern Bohemian town of Český Krumlov, where he caused much commotion.

https://www.private-prague-guide.com/article/egon-schiele-an-austrian-painter-in-cesky-krumlo/
 
Clive Barker
Clive has always sought artistic expression across diverse media and has been exploring still camera photography of male nudes for more than thirty five years. He has previously had examples of his photography exhibited in galleries in the US and Europe, included within limited editions of his novels (and those of others) and within the pages of books such as Male Nude Now, edited by David Leddick.

His latest photography project focuses on the human form expressing the human imagination. Employing his painting studio as a creative ground in which his subjects can explore imaginative themes and archetypes, these images can provoke shock, allure and wonder.
 
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